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panasonic lumix fz300 / fz330

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The Lumix FZ330 / FZ300’s electronic viewfinder is also upgraded with a 1440k dot OLED with 0.7x magnification replacing the FZ200’s 1312k dot LCD with 0.46x. This is designed for shooting subjects like children and pets that move in an unpredictable manner. So is it a feature worth having? The FZ330 / FZ300’s screen has been updated with a higher resolution 1040k dot LCD panel replacing the older model’s 460k dot screen. When you see an image you like, just tap it and the Lumix Image app will let you save the original to your device or start uploading it to one of the social, sharing or storage services installed on your device. Best Superzoom Camera listing whether the two cameras rank among the cream of the crop. As a modern camera, the FZ330 / FZ300 is also equipped with Wifi, and while there’s no NFC, there are QR codes for quick configuration. The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. May not be used without permission. It also takes up quite a bit of room but despite that the FZ330 / FZ300’s top panel isn’t cluttered and in fact looks less fussy than the earlier model. In terms of their size and styling, the Lumix FZ330 / FZ300 and Sony RX10 II look quite similar; the RX10 II is a little more compact, but at 813g is heavier than the 691g Lumix FZ330 / FZ300. Download the original file (Registered members of Vimeo only) Also for: Lumix dmc-fz330. Now that the FZ330 / FZ300 has an eye sensor there’s a third option which is to let the sensor do the work of deciding which display to use – a very welcome improvement over the exclusively manual switching on the FZ200. You might want to move across to the CAM-parator app in order to select two other camera models for If you want to browse the images on the card in the camera before deciding which to transfer, then Transfer selection is the option to go for. As before, the FZ330 / FZ300 has stereo mics located in the flash head, but the big grilles that covered them are gone and the the only evidence of their existence now is two small holes. Download the original file (Registered members of Vimeo only) Alternatively, you can also. The Panasonic Lumix FZ330, or FZ300 as it's known in North America, is a high-end super-zoom camera with a 24x optical range and constant f2.8 … Red-eye flash modes fire a pre-flash to contract people’s pupils before the main flash and activating software Red-eye removal – though this only works with Face detect AF. You are here:  Manual focusing is selected with a three-position switch on the rear panel to the right of the viewfinder which is also used to choose between continuous and single or flexible AF. It’s good to have these slow motion modes, but in this respect the FZ330 / FZ300 is comprehensively outclassed by the Sony RX10 II with its HFR modes. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored. Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers. Here I positioned the FZ300 / FZ330 on the table with the ketchup bottle in the foreground. Above: Lumix FZ330 / FZ300 Post Focus, Aperture Priority, 1/30, f2.8, 400 ISO, 25mm (177mm equivalent). Both the FZ300 and the FZ330 are recent models that are part of the current product line-up. Apart from body and sensor, cameras can and do differ across a range of features. Did this review help to inform your camera decision process? Clearly the FZ330 / FZ300 enjoys three times longer reach, but that’s not quite the end of the story as the Sony sensor has 20 Megapixels to the 12 of the Lumix. Stand-out features of the weather-proof FZ330 include a 24x zoom lens with a constant aperture of f/2.8 throughout the 25-600mm range, 5-Axis Hybrid O.I.S + system, 4K movie recording, high-resolution LCD touchscreen and EVF, fast auto-focusing, 12fps burst shooting, RAW file support and a … If the camera’s mode dial is set to Aperture or Shutter Priority, you can remotely adjust the aperture or shutter speed respectively, and in Manual you can change both. Even then, the 24x range was modest for a bridge super-zoom, but the constant maximum aperture which remains at f2.8 throughout the zoom range was and remains a very useful feature. 600mm is long enough for most sports, though if you’re in a big stadium a long way from the action you’ll find it wanting. It’s still an excellent EVF and a big improvement over the earlier FZ200’s. When set to auto mode, the flash pops up when required. Which camera is better? Switch to AVCHD format and the options are 1080p50/60 at 28Mbit/s, 1080i50/60 at 17Mbit/s (from 50p sensor output) or 24Mbit/s (from 25p sensor output), and 1080p24 at 24Mbit/s. Many modern cameras are not only capable of taking still images, but can also record movies. The Panasonic Lumix DMC-FZ300 is the update to the very popular FZ200. This enables the photographer to Care should be taken when interpreting the review scores above, though. When you’re very close in on a subject, particularly one that’s moving (it doesn’t even have to be alive, the leaves in my example above were constantly on the move thanks to the wind) it can be difficult to pinpoint the focus and very shallow depth of field makes precision essential. For comparison, the screen on Sony’s RX10 II only tilts vertically, is not touch-sensitive, and employs a 4:3 shape which means native 3:2 images and especially 16:9 video are letter-boxed. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s. It also has a DSLR-style LCD top panel which provides exposure information among other things. The combined USB / A/V port and mini HDMI connectors are located under a soft flap on the right side of the body, where you’ll also find a socket for the optional DMW-RSL1 cable remote. Depth by defocus profiles the out-of-focus characteristics of the lens in order to help overcome these problems, resulting in faster more confident focussing. In practice, this didn’t happen very often, and when it did it was sometimes the case that there was another point in the image that was recorded where the focus was in the same plane. I’ve included examples of some of the new ones, including all three monochrome options below. I found the best results were achieved with the FZ330 / FZ300 set to custom multi mode using the central AF area grouping. I then alternately tapped the screen in the region of the beer pumps on the bar and the ketchup bottle to shift the focus back and forth between them. $597.99. As before, the four cardinal points are assigned to ISO, white balance, self-timer/drive modes and AF area position. Both cameras under consideration feature a 1/2.3-inch sensor and have a format factor * Contrast AF with DFD technology works only with Panasonic Micro Four Thirds lenses. View the image, set the focus, or release the shutter from a distance, and then transfer images for sharing on social media. Essentially Post Focus uses the 30fps 4K shooting mode to focus bracket a rapid sequence of images. The result still isn’t anywhere near as tight as the Lumix, but it’s certainly tighter than before. Then, after the new model is out, very good deals can frequently be found on the pre-owned market. The RX10 II has a separate card compartment as well as connections for headphones and an external microphone (the FZ330 / FZ300 has a mic socket but not one for headphones). Panasonic Lumix FZ330 / FZ300 Image Stabiliser off / on. The first is the camera doesn’t have any kind of built-in browser to accept the terms and conditions of public hotspots, so you’ll mostly be using home or office-based Wifi. The FZ300 replaced the earlier Panasonic FZ200, while the FZ330 followed on from the Panasonic FZ200. *PANASONIC Lumix FZ330 REVIEW* Oct 26, 2019 • Review of Panasonic Lumix DMC-FZ300. The examples above and below were shot using the Post Focus feature and selected and exported as JPEG files in the camera. If you’d like camera with a 1in sensor and a longer zoom than the RX10 II, consider the Lumix FZ1000 (16x / 25-400mm) or Canon G3X (25x / 24-600mm), albeit with both models slowing their apertures as the lenses extend through their focal range (to f4 and f5.6 respectively) – there’s always a compromise to balance. The AF responds very quickly, almost instantaneously in most circumstances and the only time there’s a perceptible delay is when fully zoomed in when the focus has to travel from close to distant and, as I already mentioned, in very low light conditions. Nikon Z TC-1.4x TC-2.0x teleconverter review. If so, please get in touch, so that we can correct the information. The movie button occupies the same position just behind the shutter release and there are two programmable function buttons, Fn1 doubling up as the default exposure compensation button. You can also choose whether to copy images in their original resolution, or in one of two smaller versions. Wifi allows you to wirelessly browse the FZ330 / FZ300’s images on the larger and more detailed screen of a smartphone or tablet, copy them onto these devices, upload them to online storage or social media services (either directly or via a smartphone), or become remote-controlled using the free Lumix Image app for iOS or Android devices. On the other side of the viewfinder the FZ200’s AF/AE lock button has been augmented with a collar style switch for selecting the focus mode. The RX10 II costs around twice the price of the FZ330 / FZ300; it’s undoubtedly a better quality camera, but is it twice as good as the FZ330 / FZ300? The latest FZ-series camera from Panasonic, the Lumix DMC-FZ300, updates the FZ200 model we reviewed in September 2012. Panasonic Lumix FZ330 / FZ300 lens and stabilisation The FZ330 / FZ300 sports the same 25-600mm equivalent f2.8 lens introduced on the FZ200 back in July 2012. To be fair, the approach is not dissimilar to the way most other manufacturers implement direct uploads, but to me it makes more sense to just use Wifi to copy the image from the camera to a more capable device and upload from there instead. The Lumix FZ330 / FZ300 also has a standard hotshoe to which you can attach an external flash. Of course it’s great to have updated AF area modes, but it’s the touch screen that makes the biggest difference to focussing with the FZ330 / FZ300. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. The Panasonic Lumix DMC-FZ330 offers exactly the same ISO settings. The second option is to zoom in to an area you want in focus and drag a slider at the bottom of the screen which cycles through all of the bracketed frames. On the other hand, since Panasonic FZ300 has 49% larger pixel area (2.34 µm 2 vs 1.56 µm 2 ) compared to Panasonic FZ80, it has larger pixel area to collect light hence potential to have less noise in low light / High ISO images. Concerning the storage of imaging data, both the FZ300 and the FZ330 write their files to SDXC cards. 22 INTRODUCTION. The body is bigger and a little heavier, it feels sturdier and the control layout has become more complex. Both the FZ300 and the FZ330 have zoom lenses built in. Here’s a version in 1080 / 50p. an electronic shutter, which makes completely silent shooting possible. The Sony RX10 II’s Wifi implementation is broadly comparable with the FZ330 / FZ300’s. Below is an overview of the main specs of the two cameras as a starting point for the comparison. The RX10 II’s zoom is good for portraiture and will get you close enough to subjects that are within tens of metres, but it won’t be suitable for most sports or wildlife subjects other than shots from the touchline or at the zoo. So you can pinch to zoom-in a little, but not as much as if you were viewing the original. The Lumix DMC-FZ330 (also known as the FZ300) is Panasonic's latest super-zoom compact camera. Most obviously, the RX10 II has a dedicated aperture ring and an exposure compensation dial. As you’d expect, the FZ330 / FZ300 has Wifi support that allows you to wirelessly transfer images from the camera and operate it remotely using a smartphone. Three consecutive perspectives from the front, the top, and the back are available. Its remote shooting out-the-box is fairly basic, but if you go to the trouble of updating the embedded app, you get manual exposure control and other features. Up to six faces can be stored along with name, D.O.B. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. You can also select from a choice of grids and a live histogram display from the custom settings menu. Finally, there’s the Q-menu button right at the bottom which also doubles as the Fn3 programmable function button. As an Amazon Associate I earn from qualifying purchases. Above left: Panasonic Lumix FZ330 at 600mm equivalent 12 Megapixel original image. As you can see from the crops above I was able to avoid camera shake down to 1/20th. View and Download Panasonic Lumix DMC-FZ300 beginner's manual online. If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (0 points each). Ordinarily, contrast detect AF systems in models like the FZ330 / FZ300 adjust the focus to try and achieve higher contrast in edge detail. Pressing the Fn2 button toggles peaking in either mode. So being able to keep the lens aperture open to f2.8 all the way to the the FZ330 / FZ300’s maximum 600mm equivalent focal length allows you to get better results in low light as well as better isolating your subject with a shallow depth of field. others have an electronic shutter in addition to a mechanical one. The viewfinder image is bright and stable. Do the specifications of the Panasonic FZ300 and the Panasonic FZ330 place the cameras among the top in their class? I began using Panasonic’s FZ range of Bridge cameras way back in 2004. For comparison purposes I have a version filmed in Cinelike D for subsequent grading, along with a 1080p version and for completeness a Cinelike D version of that too. to the tables on this page to see how the Panasonic FZ300 (aka Panasonic FZ330) relates to a set of comparators. Moving on, the FZ330 / FZ300 records 1080p at up to 28Mbit/s in AVCHD or MP4 modes. As you can see from the two comparison shots below, which were shot at the same distance from the subject with the lens set to f2.8 at 200mm, The RX10 II’s larger sensor enables it to throw the background more out of focus than the FZ330 / FZ300. Face detection can detect up to 15 faces and lock focus on one of them. While its 8.3x 24-200mm zoom lacks the reach of the FZ330 / FZ300, it has a phyically larger 1 inch sensor which is also higher resolution with 20 Megapixels Both the RX10’s screen and electronic viewfinder boast higher resolutions than the FZ330 / FZ300 and as well as 4k UHD video it supports a raft of slow motion HFR modes. In these situations I’d probably shoot a full resolution version with the focus where I thought it should be and add a Post Focus version as insurance. If that becomes a problem though, you can use the Fn4 button next to the viewfinder to switch permanently to one or the other. Read my full review to discover which of these two bridge superzooms is the best option for you. Focus and exposure are prioritised on recognised faces which can be registered manually, or you can set things up so that the camera automatically registers frequently shot faces. The Panasonic Lumix FZ330, or FZ300 as it’s known in North America, is a high-end super-zoom camera with a 24x optical range and constant f2.8 focal ratio. When selected you obviously can no longer set the AF area, but the PASM and other shooting modes can be set in the usual way as can the ISO sensitivity. One thing to bear in mind, though, is that the longer zoom on the FZ330 / FZ300 would allow you to move further way from the subject and choose a longer focal length, which would produce a shallower depth of field, albeit with a different perspective. This uses the accelerometer in your phone to trigger the shutter remotely as you jump in the air. The built-in flash has a range of 8.8 meters, (note that because of the FZ330 / FZ300’s constant aperture, that applies throughout the zoom range). Unlike many recent Panasonic models it doesn’t have an NFC chip, that’s not a huge drawback though, as you can quickly establish a connection by scanning a QR code displayed on the FZ330 / FZ300’s screen. In fact, both cameras under consideration feature The external microphone socket is in the same place as on the FZ200 – on the left side under a small soft plastic cover, and it’s a standard 3.5mm jack. Panasonic Lumix FZ330 / FZ300 movie modes. The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. There are two sensitivity settings for the sensor, but even on the low setting I found to was all to easy to lose the screen image by inadvertently placing my hand near the viewfinder. You can force the flash on or off and there’s a slow sync mode with first and second curtain options. There are a number of situations in which I think Post Focus could be useful. Download the original file (Registered members of Vimeo only) If you would like to see a different side-by-side camera review, just use the search menu below. Lumix DMC-FZ330: Fast, feature-packed and excels for telephoto photography, the Panasonic FZ330 shows how a bridge camera should be done. To test it I put the FZ330 / FZ300 in Shutter priority mode and zoomed the lens in to its maximum 600mm equivalent focal length before taking a series of shots at progressively slower shutter speeds first with the stabilisation disabled, then with it turned on. If a green rectangle appears, you’re in luck, if the rectangle is red the FZ330 / FZ300 didn’t record a frame with the focus set at that specific point. The top panel of the FZ330 / FZ300 has gained a control wheel, this isn’t a new addition but rather a redesign of the old thumb wheel which protruded from the back of the FZ200. Which one should you buy? To maintain a responsive experience which feels like the images are stored locally on your phone or tablet, the camera sends a lower resolution version. Before trying it out it I was a little concerned that shooting hand-held and with a model that was in motion Post focus might be ineffective, but it turns out that even for difficult subjects like pets, you can rely on getting at least one frame with the focus on the face or eyes. a more meaningful comparison, or just scroll down The remote control feature shows a live image on your phone or tablet’s screen allowing you to take a photo or start or stop a video recording. There’s a 3.5mm microphone jack, but unlike the RX10 II, no headphone socket; there’s also focus peaking and zebra patterns to help with focus and exposure. Stand-out features of the weather-proof FZ330 include a 24x zoom lens with a constant aperture of f/2.8 throughout the 25-600mm range, 5-Axis Hybrid O.I.S + system, 4K movie recording, high-resolution LCD touchscreen and EVF, fast auto-focusing, 12fps burst shooting, RAW file support and a …

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